Dating elizabethan era
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This essay will examine the Victorian social institutions of marriage, motherhood, law, prostitution, and conventional sexual values, from a bourgeois woman’s point of view, all of which played roles in hindering women in day-to-day life, and furthered the notion of women as beings governed solely by their reproductive systems.
In this period, marriage was possibly one of the most significant points in a woman’s life.
In France such courts were often held at the manoir, but outside the building in the courtyard.
Tennis, golf, skating, swimming, hiking, mountain climbing, gymnastics, and baseball were popular.Instead, aesthetic dress boasted free-flowing, noncorseted gowns, completely unaided by "dress improvers" such as bustles or petticoats.If the motto of Aesthetic artists was "art for art's sake," then the motto for aesthetic dress was "simplicity and quality . However, by the late 1870s, the Romantic connection with the past had reemerged as something quite different- the aesthetics movement. Whistler By the 1880s, more and more citizens became frustrated with widespread corruption and social injustices brought forth by the rigidity of Victorianism, and ideas of reform began to surface.Essentially, the aesthetic movement in the arts was a break from the heavy themes of the period and proposed that art simply be created for art's sake. Woman spoke out against what they deemed the "ridiculousness of modern fashion." ".....the most ungainly and uncomfortable articles of dress that fashion has ever in her folly prescribed, not the tight corset merely, but the farthingale, the vertugadin, the hoop, the crinoline, and that modern monstrosity the so-called "dress improver"[i.e.bustle] also, all of them have owed their origin to the same error- the error of not seeing that it is from the shoulders, and from the shoulders only, that all garments should be hung.